“These ordinary materials have the inherent
potential to become extraordinary works. Thoughtfully and personally
designed forms made to delight the eye.”
About the Work
Many of these fine art pieces are designed to be both functional
and decorative as I strive to combine utility and beauty in the
objects of everyday life.
Often I start out to make one thing and it turns into another.
I remain vigilant to inspiration. If an idea comes to mind, I
accept it and take action. In this way the pieces remain fresh
to the eye, possessing energy and spontaneity.
Interestingly, clay and glaze compounds are commonly found materials.
Yet in concert they possess the extraordinary possibility of
becoming amazing works. The plastic or malleable natural of clay
lends itself to endless variations and results. I don’t
try to duplicate or repeat but create. My work is one of a kind.
There seems to be a direct relationship between the creative
energy that goes into a fine art piece and people’s emotional
reaction to it. It is a surprise and a ‘moment’ when
that connection happens. It’s personal.
I’m amazed at the adaptability of these pieces. Maybe
it’s the multiple colors or the reflective surfaces or
the inherent nature of glaze. Pieces seem to fit right into most
settings. They reflect the colors and light of the environment
and come alive.
I usually glaze 30 or 40 pots at a time. There is a rhythm to
application and a visualization of how the combination of color
and surfaces will play out. Matte glazes complement and support
seeing or discovering even the slightest variation in texture.
And then many pieces have glossy almost juicy accents… helping
to creating visual flow, interesting edges and visual surprises.
Weight, balance and ‘the feel’ are important… with
a successful piece everything works in harmony.
|
